This series is about attention without purpose. The photographs here are a visual residue that remains when the professional gaze rests from its own rules. I was not seeking meanings, only capturing what momentarily stopped my gaze: a crack, a reflection on glass, a forgotten object, a random gesture. “Intermediate objects” is the name of this collection of photographs, suspended between work and life. They are not for a project, they are the trace of a glance, left on the side of the main road. Together, these traces form an implicit but recognizable self-portrait, a portrait of receptivity.